Alabama's Top 9 Most-Streamed Songs of the Year: A Deep Dive into the State's Musical Preferences

Alabama's music scene is as diverse as its rich cultural heritage, reflecting a blend of genres and artists that resonate deeply with its residents. Over the past year, from April 7, 2024, to April 7, 2025, certain tracks have stood out, capturing the hearts and ears of Alabamians. This article explores the top nine most-streamed songs in Alabama during this period, offering insights into the artists behind these hits and the reasons for their widespread appeal.

1. "Not Like Us" by Kendrick Lamar – 6.58M Views

Kendrick Lamar's "Not Like Us" emerged as Alabama's most-streamed song, amassing an impressive 6.58 million views. Released amidst a high-profile feud with Drake, this track served as a potent diss record, showcasing Lamar's lyrical prowess and assertive delivery. The accompanying music video, laden with symbolic imagery and notable cameos, further amplified its impact. Alabamians connected with Lamar's unapologetic authenticity and the song's compelling narrative, solidifying its top position in the state's streaming charts.​

2. "Wanna Be" by GloRilla & Megan Thee Stallion – 5.69M Views

The dynamic collaboration between GloRilla and Megan Thee Stallion in "Wanna Be" captivated Alabama listeners, garnering 5.69 million views. This track blends infectious beats with empowering lyrics, celebrating confidence and self-assurance. The synergy between the two artists, both known for their bold personas, resonated particularly with younger audiences in Alabama, making it a standout anthem throughout the year. If you want to learn about music, check out music lessons in Boulder.

3. "Lose Control (Live)" by Teddy Swims – 5.68M Views

Teddy Swims' live rendition of "Lose Control" struck a chord with Alabama's audience, achieving 5.68 million views. Known for his soulful voice and emotive performances, Swims delivers a powerful experience in this live version. The raw emotion and vocal depth showcased in the performance resonated with listeners, highlighting Alabama's appreciation for heartfelt and authentic musical expressions.​

4. "Help Me" by Real Boston Richey – 4.55M Views

Real Boston Richey's "Help Me" secured 4.55 million views in Alabama, reflecting the state's affinity for introspective and street-savvy narratives. The song's candid lyrics and compelling beats offer a glimpse into Richey's experiences and challenges, resonating with listeners who appreciate unfiltered storytelling in hip-hop.

5. "A Bar Song (Tipsy)" by Shaboozey – 4.24M Views

Shaboozey's "A Bar Song (Tipsy)" became a favorite in Alabama, amassing 4.24 million views. This track's catchy melody and relatable lyrics about nightlife and celebration made it a go-to anthem for parties and social gatherings. Its upbeat tempo and infectious chorus contributed to its widespread popularity across the state.​

6. "Beautiful Things" by Benson Boone – 4.21M Views

Benson Boone's "Beautiful Things" resonated with Alabama listeners, garnering 4.21 million views. The song's heartfelt lyrics and Boone's emotive delivery offer a reflective take on life's fleeting moments and the appreciation of beauty in everyday experiences. Its universal themes and melodic composition struck a chord with a broad audience in the state.​

7. "Shake Dat Ass (Twerk Song)" by BossMan Dlow – 3.57M Views

BossMan Dlow's "Shake Dat Ass (Twerk Song)" became a dancefloor staple in Alabama, accumulating 3.57 million views. The track's high-energy beats and straightforward call to dance made it a favorite in clubs and parties. Its infectious rhythm and catchy hook contributed to its prominence in the state's music scene.​

8. "Yeah Glo!" by GloRilla – 3.49M Views

GloRilla makes her second appearance on this list with "Yeah Glo!", which garnered 3.49 million views in Alabama. The track showcases her distinctive style and confident delivery, reinforcing her growing influence in the hip-hop scene. Alabama's listeners embraced the song's assertive tone and catchy production, further cementing GloRilla's presence in the state's musical landscape.​

9. "MILLION DOLLAR BABY" by Tommy Richman – 3.45M Views

Tommy Richman's "MILLION DOLLAR BABY" captivated Alabama audiences, achieving 3.45 million views. The song's unique blend of genres and Richman's charismatic performance resonated with listeners seeking fresh and innovative sounds. Its catchy chorus and distinctive production contributed to its success in the state's streaming charts.

The top-streamed songs in Alabama from April 7, 2024, to April 7, 2025, tell a story of vibrancy, regional loyalty, emotional connection, and the South’s continued dominance in shaping American music. From lyrical beefs and viral anthems to heartfelt ballads and club bangers, this list reflects what resonated with Alabamians—and why.

Let’s dive deeper into what makes these songs so special and why they connected so strongly with listeners in the Heart of Dixie.

It’s no coincidence that many of Alabama’s most-streamed songs this year come from Southern artists—or artists who embrace the grit, sound, and identity of the South. Whether it’s Kendrick Lamar (with heavy West Coast ties but massive Southern support), Real Boston Richey out of Florida, or Memphis’s GloRilla, the Southern influence is unmistakable.

Take GloRilla, for instance. She appears twice in Alabama’s top 9 songs, which is a rare feat. Her track “Wanna Be” with Megan Thee Stallion wasn’t just a hit—it was a cultural moment. Empowering, unapologetic, and high-energy, it quickly became a go-to anthem for women across the state. Meanwhile, “Yeah Glo!” allowed her solo voice to shine, proving she isn’t reliant on big features to captivate listeners.

These records reflect a growing hunger in Alabama for music that feels close to home. It’s not just about production or buzz; it’s about voice, message, and roots.

Another key thread running through Alabama’s top songs is emotional storytelling. Songs like “Lose Control (Live)” by Teddy Swims and “Beautiful Things” by Benson Boone connected on a deeper level. These tracks don’t rely on viral dance challenges or gimmicky hooks. Instead, they deliver powerful messages through heartfelt vocals and relatable themes.

Swims’ live version of “Lose Control” adds even more rawness to an already emotional song, highlighting the vulnerability that modern listeners crave. Boone’s “Beautiful Things,” on the other hand, offers a quiet moment of reflection, expressing appreciation for the simple pleasures in life—a sentiment that hits especially hard in times of global uncertainty or personal chaos.

It’s this duality that makes Alabama’s music preferences so interesting: people want the turn-up energy, but they also want to feel something real.

Kendrick Lamar’s “Not Like Us” topping the list at 6.58 million views shows that even in Alabama—a state historically dominated by trap and Southern rap—people appreciate high-level lyricism when it’s paired with cultural relevance.

This diss track, a response to his ongoing feud with Drake, wasn’t just about the bars. It became a moment. It had fans decoding lyrics, dissecting symbolism in the video, and debating in comment sections for days on end. Kendrick’s mastery of narrative and social commentary gave the track legs—and Alabamians responded in kind.

Plus, with the drama playing out in real-time on social media, fans were pulled into the story. “Not Like Us” wasn’t just a song; it was an event, and its performance in Alabama proves that the state isn’t just a passive consumer of culture—it’s engaged, opinionated, and paying attention.

Several songs on this list showcase how today’s artists are breaking genre boundaries—and Alabama is here for it.

Take “A Bar Song (Tipsy)” by Shaboozey. This record taps into both country and hip-hop influences, following the footsteps of genre-blenders like Lil Nas X and Blanco Brown. It’s rowdy, fun, and has massive party appeal. Alabama, a state with deep roots in both country music and rap, was the perfect market for this crossover hit.

Similarly, Tommy Richman’s “MILLION DOLLAR BABY” feels like a taste of the future. With its funky baseline, digital distortion, and falsetto vocals, it blends funk, indie, and R&B. Its popularity in Alabama—3.45 million views—signals that listeners in the state are open to genre experimentation, as long as it’s fresh and authentic.

This trend of blending styles isn’t going anywhere, and Alabama is clearly part of that evolution.

Another important trend: the women are winning.

With GloRilla appearing twice, Megan Thee Stallion featured prominently, and other female artists dominating TikTok and YouTube playlists, it’s clear that Alabama isn’t just listening to male voices. There’s a growing hunger for fierce, confident, and creative women in hip-hop, pop, and beyond.

These artists are not just here to participate—they’re leading the culture, and Alabama’s listeners are helping fuel that momentum.

Conclusion: What We Can Learn from Alabama's Music Choices

Alabama’s top-streamed songs of the year tell us a lot about the state’s musical identity:

• It’s loyal to Southern rap, but open to new and experimental sounds.

• It embraces both hype and heartbreak.

-It’s driven by storytelling, authenticity, and cultural relevance.

-And it’s actively shaping rather than passively following national music trends.

As artists continue to evolve and release music that blends genres, breaks barriers, and pushes boundaries, one thing is clear: Alabama will keep listening, discovering, and championing what hits home.

Methodology

The data for this article was sourced from YouTube Music’s regional analytics, focusing on listener activity within Alabama between April 7, 2024, and April 7, 2025. The view counts reflect the total number of plays each song received from users located in Alabama during this 12-month period. YouTube’s geolocation and usage data allows for a granular look at how individual tracks perform in different regions, offering a reliable indicator of local music trends. Songs were ranked based on total view count within the state, regardless of genre, artist nationality, or release date.

By analyzing this data, we identified the top nine most-viewed songs in Alabama, showcasing a blend of regional preferences, mainstream hits, and emerging anthems that defined the state’s listening habits over the past year.