South Dakota may be best known for its sweeping prairies, majestic landmarks like Mount Rushmore, and rugged frontier spirit—but when it comes to music, the Mount Rushmore State is far from behind the curve. In 2024–2025, South Dakotans tuned in to a dynamic playlist that balanced deep emotion with upbeat anthems, country-pop crossovers, and genre-defying hits.
According to YouTube Music streaming data, these are the top 9 most-streamed songs in South Dakota over the past year. The list reveals not just what people played, but what they connected with—from moments of joy to those of introspection. If you want to learn to play an instrument, check out music lessons in Boulder.
Let’s break down the hits that made South Dakota sing, dance, reflect, and press repeat.
With 714,000 views, Shaboozey’s “A Bar Song (Tipsy)” tops the charts in South Dakota. A clever and high-energy country-rap crossover, this track samples J-Kwon’s early 2000s hit “Tipsy” and reimagines it through a honky-tonk lens. It became the go-to anthem for Friday nights, bonfires, and backyard get-togethers across the state.
Shaboozey's clever blend of Nashville swagger and hip-hop nostalgia hit a sweet spot in South Dakota, where the love for country and casual party vibes runs strong.
Why It Worked in South Dakota:
“A Bar Song (Tipsy)” was the undeniable party soundtrack for South Dakota in 2024.
Coming in close behind with 680,000 views, Benson Boone’s “Beautiful Things” offered South Dakotans a different kind of connection—emotional, heartfelt, and deeply reflective. With its delicate piano melody and lyrics that contemplate life’s blessings and fears, the song became a favorite for quiet mornings, long drives, and solitary moments.
Listeners in the state’s quieter corners, from the Black Hills to the farmlands of the east, gravitated toward this gentle anthem.
Why It Resonated:
“Beautiful Things” gave South Dakotans a heartfelt reminder to embrace life’s tender moments.
With 609,000 views, Kendrick Lamar’s “Not Like Us” brought bold energy and lyrical heat to South Dakota’s playlists. As part of one of the most talked-about rap feuds in recent memory, the track found its way into even non-traditional hip-hop circles thanks to its cultural impact and catchy, hard-hitting beat.
Kendrick’s track was played on repeat in dorm rooms, gym workouts, and by fans of lyrical craft statewide.
Why It Made Waves:
“Not Like Us” brought edge and intensity to South Dakota’s top-streamed lineup.
With 510,000 views, “I Had Some Help” proved that South Dakotans can’t get enough of country-pop fusion. This humorous, clever, and highly replayable duet between pop king Post Malone and country megastar Morgan Wallen resonated with both urban and rural listeners.
Whether cruising through the Badlands or enjoying a casual night with friends, South Dakotans loved singing along to this playful breakup anthem.
Why It Was a Hit:
“I Had Some Help” was the state’s favorite genre-blending crowd-pleaser.
With 464,000 views, Teddy Swims’ live version of “Lose Control” delivered pure soul to the state’s speakers. His powerful voice and stripped-down, emotional performance resonated especially well with listeners who appreciate raw talent and authenticity.
The live rendition gave this ballad even more emotional weight, making it a favorite for those going through personal challenges or simply needing to feel something deeper.
Why South Dakota Streamed It:
“Lose Control (Live)” was the emotional soul of South Dakota’s music year.
With 438,000 views, Zach Bryan’s “Something in the Orange” continued to show why he's a favorite in states like South Dakota, where sincerity and simplicity in music still matter. Bryan’s signature style—a mix of country, Americana, and poetry—captured the loneliness and longing that defines many rural ballads.
It’s a song made for dusky sunsets, quiet highways, and worn-in boots.
Why It Stuck:
“Something in the Orange” was South Dakota’s contemplative country classic of the year.
With 395,000 views, “Die With A Smile” by Lady Gaga and Bruno Mars brought dramatic, old-school glamour to the state’s otherwise low-key playlist. The sweeping vocals, lush production, and emotional storytelling made this a favorite among fans of classic pop and ballads.
It’s the kind of track that feels made for candle-lit dinners, open roads, and quiet reflection.
Why It Charted:
“Die With A Smile” added elegance and grandeur to South Dakota’s top-streamed selections.
With 334,000 views, Jelly Roll’s “Save Me” found strong support in South Dakota. With its themes of addiction, redemption, and resilience, the song struck a chord with listeners who value real-life stories and unfiltered emotion.
Jelly Roll’s blend of country, gospel, and hip-hop made the song accessible to a wide range of fans—from blue-collar workers to spiritual seekers.
Why It Resonated:
“Save Me” was South Dakota’s anthem of pain, perseverance, and healing.
Rounding out the list with 316,000 views, Toosii’s “Favorite Song” featuring Khalid brought R&B smoothness and modern romance to South Dakota’s top 10. The track blends heartfelt lyrics with radio-friendly production, making it ideal for romantic playlists, date nights, or chill afternoons.
Its laid-back vibe and universal themes of longing and love earned it a spot among the state’s most-streamed songs.
Why South Dakota Streamed It:
“Favorite Song” brought romance and radio charm to South Dakota’s 2024 playlist.
South Dakota’s top songs showcase a deeply personal, emotionally intelligent, and genre-inclusive music culture. The state’s listeners clearly appreciate:
This list was compiled based on YouTube Music streaming data between April 7, 2024, and April 7, 2025, filtered to include only streams from listeners in South Dakota. Rankings are based on total views across devices.
From the energy of Shaboozey’s party anthem to the soul-searching depth of Benson Boone and Jelly Roll, South Dakota’s top songs in 2024–2025 paint a portrait of a state that listens with purpose.
The diversity of tracks reflects a place where people work hard, feel deeply, and value authenticity—whether through a boot-stomping chorus or a vulnerable lyric.
As the music world continues to evolve, one thing remains clear: South Dakotans stream with their hearts wide open.